Boss FV-50H High Impedance Volume Pedal

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£83.20

This is a New Boss FV-50H High Impedance Volume Pedal from Boss, now available in the Guitar Pedals category on Guitars Pedals Amps and Stuff.. Read More below.

Description

Total control over your guitar effects pedals. The Boss FV-50H High Impedance Volume Pedal is designed to make controlling the volume of your FX boxes easy. Designed for the start of your effects chain its responsive compact and easy to use. Plus with extra features including a tuner out jack for quick and simple tuning its superbly functional too. And theres a volume knob that lets you set your ideal minimum volume for your performance. Take the hassle out of altering your volume on-stage.

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About the manufacturer

Boss

Boss is a Japanese company founded in 1973 and is one of the most respected names in the world of guitar effects and amplification. Known for their compact stompbox pedals, Boss has defined the sound of countless musicians with classics like the DS-1 Distortion, CE-2 Chorus, and DD-3 Delay. Their range now includes multi-effects processors, loop stations, amplifiers, and recording tools, all built with the brand’s trademark durability and reliability. Favoured by beginners and professionals alike, Boss products are a staple on pedalboards across the UK, offering dependable performance and iconic tone shaping for every style of music.

More info about this Product

Guitar Pedals

Guitar pedals are compact effects units that shape and enhance a guitar’s sound, sitting between the instrument and the amplifier. They include gain pedals like overdrive and distortion, modulation effects such as chorus and tremolo, time-based effects like delay and reverb, and essential utilities including tuners, compressors and loopers. Understanding basic things such as pedal type, signal order, power requirements and intended use helps players choose pedals that suit their style, setup and playing environment.

Volume Pedals

A volume pedal places a foot-controlled attenuator in the audio path, varying level without changing the instrument itself. Potentiometer value and active or passive design determine impedance compatibility, sweep shape and high-frequency retention. Placement before gain changes both loudness and distortion response; placement later behaves more like a master level. Minimum-volume, tuner and stereo connections extend the basic function.

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