Guitars Pedals Amps & Stuff

Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 1
Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 2
Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 3
Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 4
Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 5
  • Electronic Audio Experiments Scattering Stereo Reverb Pedal
  • Electronic Audio Experiments Scattering Stereo Reverb Pedal
  • Electronic Audio Experiments Scattering Stereo Reverb Pedal
  • Electronic Audio Experiments Scattering Stereo Reverb Pedal
  • Electronic Audio Experiments Scattering Stereo Reverb Pedal
Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 1Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 2Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 3Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 4Electronic Audio Experiments Scattering Stereo Reverb Pedal - Image 5


Electronic Audio Experiments Scattering Stereo Reverb Pedal

View more in ,
Tags: , ,
View more by

As an affiliate partner, we may earn a small commission when you buy through our links — at no extra cost to you.

£419.00

This is a New Electronic Audio Experiments Scattering Stereo Reverb Pedal from Electronic Audio Experiments, now available in the Guitar Pedals category on Guitars Pedals Amps and Stuff.. Read More below.

Description

Scattering is a stereo reverb built around a complex network of delay lines. Forsaking the diffuse atmospherics of traditional digital reverb, it instead creates a lively dance of fluttering echoes strewn into space. Here the boundary between analogue and digital is thin. The core timbre can be harsh and ringing, or murky and saturated. Four modes, each representing permutations of the lost MN3011 bucket brigade device, offer branching paths into proto-algorithmic realms. Within, you can find all manner of textural reflections. But, far from just an ambient effect, Scattering is able to saturate, modulate, and spatialize with an immediacy worthy of rock-and-roll practicality. Building upon our analog/digital hybrid ecosystem, Scattering has a deep interface with presets, MIDI, assignable modulation, and extensive expressive control over all parameters. The I/O and analog/digital processing are true stereo—a first within our catalogue. Reverb gives our music a sense of space. We hope Scattering is a fun one to explore. Controls Space: Sets the length of the individual delay taps which make up each reverb mode. Turn clockwise to increase the delay time. At longer settings, the individual taps become more distinct. This control works by changing the sample rate of the DSP, which will create artifacts at longer settings. Mix: Blends between the input signal (post preamp) and the reverb output, from fully dry to 100% wet. Preamp: Controls a stereo analogue gain stage located at the input. It affects both the wet and dry paths. At higher settings, it will introduce warm analogue saturation. (Note, this can get fairly loud if you let it. The Level Alt function is useful here.) Filter: Controls a stereo, analogue, two-pole low pass filter applied to the reverb output. The cutoff extends below 20Hz, which is handy for creating swells. Dwell: Applies feedback to the reverb taps to increase the decay time. In some modes, high Dwell settings will lead to runaway oscillations. LFO Rate+ Amount: Controls for an LFO (low-frequency oscillator) modulating the Space control to produce chorus and vibrato. Rate and Amount adjust the speed and intensity, respectively. The Wave button selects a periodic or randomised waveform. Engage Activates the pedal. Long press to toggle Trails on and off. The Engage LED will briefly flash to acknowledge the change. With Trails enabled, the preamp remains active at all times and the reverb will decay naturally when the pedal is bypassed. Aux (Footswitch): A multi-function performance tool. The behavior of the Aux footswitch is selected using the corresponding Aux button. In Morph mode, the Aux footswitch allows for dynamic ramping between two control states. For more info about morphing, refer to Section 3.5. In Preset mode, the Aux footswitch can be used to scroll through saved presets. To learn more, refer to Section 3.3. Aux (Button): Toggles the state of the Aux footswitch. Long press to access Alt functions Mode: Selects one of four reverb algorithms. – x1 – Six taps with lengths derived from the MN3011 BBD. x2 – MN3011 taps with double the length; more like a delay. Matrix – A network of parallel delay lines, capable of stable infinite reverb. Nonlinear – Tapped delay line read with a swelling envelope.

About the manufacturer

Electronic Audio Experiments

Electronic Audio Experiments is a boutique effects builder exploring drive, fuzz, preamp and experimental signal-shaping circuits. The current range includes Longsword distortion, Limelight overdrive/boost, Model feT and Surveyor preamps, Halberd overdrive and Glaive fuzz/octave. The designs tend to give the player more than a single gain flavour, using EQ, clipping or filtering controls to change how the circuit responds to the instrument and amplifier. That makes EAE useful for players who care about gain staging and texture; compare headroom, mid character and control interaction rather than relying on the effect name alone.

More info about this Product

Guitar Pedals

Guitar pedals are compact effects units that shape and enhance a guitar’s sound, sitting between the instrument and the amplifier. They include gain pedals like overdrive and distortion, modulation effects such as chorus and tremolo, time-based effects like delay and reverb, and essential utilities including tuners, compressors and loopers. Understanding basic things such as pedal type, signal order, power requirements and intended use helps players choose pedals that suit their style, setup and playing environment.

Reverb Pedals

Reverb creates the dense pattern of reflections heard after sound enters a physical or imagined space. Room, hall, plate and spring models differ in reflection density, frequency decay and modulation, while ambient algorithms extend or transform the tail beyond natural acoustics. Decay, pre-delay, damping, diffusion and wet/dry balance define the apparent size, surface and distance of that space.

More Gear like this

Guitar Pedal

Guitar pedals alter, route, control or support an instrument signal from the floor. The tag covers individual effects, multi-effects, switching, tuning, looping, amplification and pedalboard utilities. The product category and additional effect tags identify the specific job each pedal performs.

Reverb

Reverb (short for reverberation) is an audio effect that simulates the natural reflections of sound in a physical space. When you play in a room, hall, or cathedral, the sound waves bounce off the walls, ceiling, and floor, creating a sense of depth and ambience. Reverb pedals and processors recreate this effect electronically, allowing guitarists and producers to shape how “big” or “live” their sound feels. From short, springy echoes that mimic vintage amp tanks to lush, atmospheric washes used in ambient or shoegaze music, reverb adds dimension and realism — turning a dry, flat tone into something immersive and expressive.

Stereo

Stereo refers to an audio setup that uses two separate channels, left and right, to create a sense of width, space, and direction in sound. By sending slightly different signals to each channel, stereo allows effects and instruments to feel more immersive and three-dimensional compared to a single mono signal.

In guitar and audio equipment, stereo is commonly used with delays, reverbs, modulation effects, and multi-amp rigs to enhance depth and movement. Stereo setups can make a sound feel wider and more spacious, especially in recording or live environments where separation between speakers can be clearly heard.

Related gear