Electro Harmonix JHS Lizard Queen Octave Fuzz Distortion Pedal
Here at GPAS we believe Electro Harmonix,JHS Pedals are setting the standard in the Guitar FX category. If you are considering the Electro Harmonix JHS Lizard Queen Octave Fuzz Distortion Pedal, it is currently in stock in the UK at an excellent online price. Products are delivered quickly across the UK, Europe and beyond, so you can shop with confidence wherever you are. Originally designed by Josh Scott of JHS Pedals and graphic designer, Daniel Danger as a homage to Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz…
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Here at GPAS we believe Electro Harmonix,JHS Pedals are setting the standard in the Guitar FX category. If you are considering the Electro Harmonix JHS Lizard Queen Octave Fuzz Distortion Pedal, it is currently in stock in the UK at an excellent online price. Products are delivered quickly across the UK, Europe and beyond, so you can shop with confidence wherever you are.
Originally designed by Josh Scott of JHS Pedals and graphic designer, Daniel Danger as a homage to Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz is a nano-sized version of the pedal brought to life by the engineers at Electro-Harmonix that has all of the tones and vibes of the original circuit design by Josh. The tone is inspired by EHX’s fuzz pedigree with a unique analog octave up circuit that has all the vibe of the original design first featured on the JHS Show in 2022. This creates a completely new and unique EHX fuzz sound we’ve never heard before. To further tell the tale, the pedal is adorned with vintage EHX-inspired graphics designed by Daniel.
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Housed in EHX’s Nano-sized chassis, the EHX Lizard Queen is a fixed gain fuzz pedal which features Volume, Octave, and Balance knobs. Volume controls the overall output volume level. The Octave control adjusts the level of the octave-up signal from zero to full octave chaos. Perfect for dialing in a crushing rhythm sound or a chimey, clanging lead sound. The Balance knob sets the tone balance between the smoother Shadow setting and the raspy, biting Sun setting. The effect of the Balance control is especially apparent with the octave set high.
Key Features
- Unique transistor-based octave fuzz distortion circuit designed by Josh Scott
- Blendable Octave to dial in the analog octave chaos
- Balance control adjusts between smooth sustaining tones and raspy fuzz tones
- 1970s Electro-Harmonix graphic designed by Daniel Danger
- True Bypass
- 9V Battery included (9V adapter optional)
Specifications
- Circuit: Analog
- Bypass: True Bypass
- Audio: Mono
- Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
- Dimensions (in): 4.5 x 2.75 x 2.1
- Current Draw: 5mA
Distortion is a guitar effect that alters the signal’s waveform, creating a gritty, aggressive sound characterized by a high level of harmonic content and sustain. It’s achieved by amplifying the input signal to the point where the amplifier or pedal’s circuitry begins to clip, causing the waveform to become squared off and jagged. This clipping produces harmonics that weren’t present in the original signal, resulting in the characteristic “gritty” or “dirty” tone associated with distortion. Distortion pedals typically feature controls for adjusting the amount of gain or distortion applied, as well as tone-shaping knobs to tailor the sound’s frequency response. Distortion is widely used in rock, metal, and punk music to add power, aggression, and sustain to guitar solos, riffs, and rhythm parts, creating a bold and intense sonic impact in the mix. Popular distortion pedals include the Boss DS-1, Pro Co Rat, and Electro-Harmonix Big Muff Pi.
Fuzz is a type of guitar effect that produces a highly distorted and saturated tone characterized by its thick, buzzy, and aggressive sound. It’s achieved by clipping the guitar’s signal in a way that creates extreme distortion and compression, resulting in a velvety, sustaining fuzziness. Fuzz pedals typically feature controls for adjusting parameters such as gain (the amount of distortion), tone (the frequency response of the fuzzed signal), and volume (the output level). By manipulating these controls, guitarists can create a wide range of fuzz tones, from gritty and raw to smooth and singing. Fuzz is commonly used in genres such as rock, blues, and psychedelic music, where it adds texture, power, and intensity to guitar solos, riffs, and rhythm parts. Popular fuzz pedal models include the Electro-Harmonix Big Muff Pi, Dunlop Fuzz Face, and ZVex Fuzz Factory.
Guitar FX (effects) refer to the wide range of pedals and processors that shape and manipulate a guitar’s signal to create different sounds. From classic distortion and overdrive to reverb, delay, modulation, and pitch-shifting, effects are at the heart of a guitarist’s creative toolkit. Whether analogue or digital, stompbox or multi-effects unit, Guitar FX allow players to express mood, texture, and dynamics in unique ways. Used thoughtfully, they can transform a simple riff into something atmospheric, aggressive, or entirely otherworldly.
We have new and used Electro Harmonix,JHS Pedals musical equipment available on our website for fast direct delivery from sellers across the UK & Europe.
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