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Ibanez AEG1221-BOT 12-String Electro Acoustic Guitar in Black Out - Image 1


Ibanez AEG1221-BOT 12-String Electro Acoustic Guitar in Black Out

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£369.00

Ibanez AEG1221-BOT 12-String Electro Acoustic Guitar in Black Out is a 12-string acoustic guitar.

Description

The Ibanez AEG1221-BOT takes the sleek, stage-ready AEG platform and adds the lush, shimmering character only a 12-string can deliver. With its slim, single-cutaway body, comfortable neck and simple, intuitive electronics, it’s built to give you inspiring acoustic tones whether you are writing at home, recording, or plugging straight into a PA for live performance.

A Spruce top paired with Sapele back and sides provides a clear, balanced voice that cuts through a mix without ever sounding harsh, while the Macassar Ebony fingerboard and bridge enhance articulation and sustain. The Ibanez T-bar II undersaddle pickup and AEQ-TTS preamp capture that natural acoustic sound and make it effortless to shape your tone on stage. Finished in a sleek Black Out colour with an open pore feel, this is a practical, modern 12-string that looks as good as it sounds.

Comfortable 12-string playability

The AEG1221-BOT features a Comfort Grip Nyatoh neck with a slim, player-friendly profile that makes navigating 12 strings far less intimidating. The 634 mm scale length and 45 mm nut width strike a balance between string spacing and comfort, so complex chords and arpeggios feel natural under the fingers. Combined with the AEG body’s shallow depth, it is an easy guitar to play for long sessions on stage or in the studio.

Stage-ready electronics

At the heart of the AEG1221-BOT’s amplified sound is the Ibanez T-bar II undersaddle pickup, designed to reduce noise and deliver a wide, natural piezo-style response. The compact AEQ-TTS preamp keeps things simple with just volume and shape controls, making it quick to dial in your sound. Set the shape knob to the centre for a natural acoustic tone, or sweep towards thicker, low-heavy sounds or brighter, crisper voicings as the room or mix demands. An easy-to-read onboard tuner with LCD display helps you stay perfectly in tune at all times.

Durable hardware & refined details

Macassar Ebony is used for both the fingerboard and bridge, ensuring excellent transfer of string vibration to the body and giving you a responsive, articulate feel under the fingers. Black dyed bone is used for both the nut and saddle, contributing to tuning stability and a clear, defined attack. Black die-cast tuners with an 18:1 gear ratio provide precise tuning adjustments, while Ibanez Advantage bridge pins make string changes quicker and more secure.

Key Features

  • Slim AEG body with Comfort Grip neck: The shallow AEG body and Comfort Grip Nyatoh neck make this 12-string far easier to handle than many traditional acoustics. The reduced body depth sits comfortably against the player, while the neck profile and 634 mm scale help minimise fatigue, ideal for long rehearsals, gigs or writing sessions.
  • Spruce top with Sapele back & sides: A Spruce top provides crisp, articulate highs and excellent projection, while Sapele back and sides add warmth and a rich midrange. Together they create a balanced, musical tone that lets the natural shimmer of the 12 strings shine through, whether strummed or picked.
  • Ibanez T-bar II undersaddle pickup & AEQ-TTS preamp: The T-bar II undersaddle pickup delivers a wide, natural acoustic sound with reduced noise, ready for any amp or PA. The AEQ-TTS preamp keeps control simple with just volume and a shape knob, so you can quickly move from fat, low-end rich tones to bright, cutting sounds without getting lost in complex settings.
  • Macassar Ebony fingerboard & bridge with Ibanez Advantage pins: Macassar ebony for the fretboard and bridge enhances sustain, clarity and note definition, crucial for keeping 12-string chords clean and intelligible. Ibanez Advantage bridge pins make restringing easier and more secure, with a bulb-shaped end that is easy to grip and helps keep the string and pin firmly in place.

Specifications

Body

  • Top Material: Spruce
  • Side Material: Sapele
  • Back Material: Sapele
  • Body Shape: AEG
  • Body Finish: Open Pore Polyurethane
  • Soundhole Rosette: None

Neck

  • Neck Material: Nyatoh
  • Neck Finish: Open Pore Polyurethane
  • Neck Profile: Comfort Grip
  • Neck Joint: Dovetail (14th Fret Joint)
  • Fingerboard Material: Macassar Ebony
  • Fingerboard Radius: 15.75” (400 mm)
  • Position Inlays: None
  • Number of Frets: 20
  • Nut Type: Black Dyed Bone
  • Nut Width: 1.77” (45 mm)
  • Scale Length: 25” (634 mm)

Hardware

  • Bridge: Macassar Ebony
  • Bridge Pins: Ibanez Advantage
  • Saddle Material: Black Dyed Bone
  • Tuning Machines: Black Die-Cast (18:1 Gear Ratio)

Electronics

  • Pickup: Ibanez T-Bar II Undersaddle
  • Preamp: Ibanez AEQ-TTS with Onboard Tuner
  • Controls: 1 Volume, Shape
  • Other Switches: Tuner On/Off Switch
  • Output Jack: 1/4″

Miscellaneous

  • Strings: Ibanez IACS12C
  • String Gauges: .010/.010/ .014/.014/ .023/.008/ .030/.012/ .039/.018/ .047/.027
  • Accessories: Hex Wrench, Saddle, Bridge Pin

About the manufacturer

Ibanez

Ibanez is a Japanese guitar and bass manufacturer with roots dating back to the early 1900s, officially established under the Hoshino Gakki company. Known for innovation and versatility, Ibanez produces a wide range of instruments, from beginner-friendly models to high-end signature guitars used by some of the world’s leading musicians. Their designs often feature sleek body shapes, fast necks, and powerful pickups that appeal to players across genres like rock, metal, jazz, and fusion. With popular ranges such as the RG, S, and Artcore series, Ibanez has built a strong reputation in the UK for reliability, playability, and exceptional value for musicians at every level.

More info about this Product

Electro-Acoustic Guitars

Electro-acoustic guitars combine the natural sound and feel of an acoustic guitar with built-in electronics for amplification. Fitted with pickups and preamp controls, they allow you to plug directly into an amp, PA system, or recording setup while retaining an acoustic character. They’re ideal for live performance, rehearsal, and home recording, offering volume control and tonal adjustment without relying solely on microphones. Electro-acoustic guitars suit players who want the warmth and responsiveness of an acoustic instrument with the flexibility to play amplified when needed.

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12-String

12-string guitars use six pairs of strings, with each pair tuned either in unison or an octave apart, creating a fuller and more harmonically rich sound than a standard six-string. This paired-string design produces a natural chorusing effect, giving the instrument a wide, shimmering character.

They are commonly used for rhythm playing, strummed parts, and open chords, where their bright, layered sound adds depth and presence. 12-string guitars are popular in folk, rock, and acoustic music, and are especially valued for creating expansive textures rather than detailed lead playing.

Black

Black instruments and gear offer a timeless, understated look that fits almost any style of music or setup. Whether it’s a guitar, pedal or accessory, a black finish is often chosen for its clean appearance, practicality and stage-ready feel. If you prefer gear that looks focused, professional and never goes out of fashion, black options deliver a classic aesthetic with no distractions.

Electro-Acoustic

Electro-acoustic guitars are acoustic instruments fitted with built-in pickups or microphones that allow them to be amplified or connected directly to a PA system or amplifier. They retain the natural acoustic tone and feel of a traditional acoustic guitar while adding the convenience of onboard electronics.

They are commonly used for live performance and recording, especially in situations where consistent volume and clarity are needed. Electro-acoustic guitars often include controls for volume and tone, and sometimes built-in tuners, making them a practical choice for gigging musicians who want an acoustic sound with modern flexibility.

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