About the manufacturer
MXR is one of the most respected names in effects pedals, known for its rugged design, simplicity, and legendary tones. Founded in New York in the early 1970s, MXR quickly made its mark with classics like the Phase 90, Dyna Comp, and Distortion+, which became staples on countless pedalboards. Now part of the Dunlop family, MXR continues to innovate while maintaining the straightforward, no-nonsense approach that players love. Whether delivering subtle modulation, rich overdrive, or tight compression, MXR pedals are built to last and designed to perform, offering timeless sounds that have shaped decades of music.
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Flanging mixes the dry signal with a very short delay whose time is continuously modulated. The paths reinforce and cancel at regularly spaced frequencies, producing a moving comb-filter sweep with a hollow, metallic or jet-like character. Rate and depth set the motion, while feedback sharpens the notches and can push the effect towards resonant, self-oscillating textures.
Guitar pedals are compact effects units that shape and enhance a guitar’s sound, sitting between the instrument and the amplifier. They include gain pedals like overdrive and distortion, modulation effects such as chorus and tremolo, time-based effects like delay and reverb, and essential utilities including tuners, compressors and loopers. Understanding basic things such as pedal type, signal order, power requirements and intended use helps players choose pedals that suit their style, setup and playing environment.
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Bass gear is all about laying the foundation of the music, providing depth, groove and connection between rhythm and harmony. From bass guitars and amplifiers to pedals and accessories designed specifically for low frequencies, everything here is built to deliver clarity, punch and control. Whether you are holding down a steady rhythm or shaping a more melodic bass voice, the right bass equipment helps you stay locked in and felt as much as heard.
Flanger is a modulation effect that creates a sweeping, jet-like sound by mixing the original signal with a slightly delayed copy that is continuously modulated. As the delay time changes, it produces a series of moving peaks and notches in the frequency response, giving the effect its distinctive whooshing character.
It is often used to add dramatic movement and texture to guitars, basses, and synthesizers, ranging from subtle shimmer to intense, psychedelic sweeps. Flanger is commonly associated with classic rock and experimental sounds, but it remains widely used wherever bold modulation and motion are wanted.