JHS Pedals Charlie Brown Overdrive v4

£199.99

The JHS Guitar Pedals always come out on top. This is New is in stock and ready to post out to you, with fast, reliable delivery straight to your door. For more New Guitar Pedals options, read on for full specifications, demos, and secure online ordering. If you’ve ever heard an original Marshall JTM45 than you know why it’s the voice of classic rock & roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. Our Charlie Brown is voiced to transform any good amp into a living, breathing replica…

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Description

The JHS Guitar Pedals always come out on top. This is New is in stock and ready to post out to you, with fast, reliable delivery straight to your door. For more New Guitar Pedals options, read on for full specifications, demos, and secure online ordering.

If you’ve ever heard an original Marshall JTM45 than you know why it’s the voice of classic rock & roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. Our Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. The Charlie Brown V4 builds on the popularity of the V3 by keeping the same heart and soul while giving more flexibility and options. Let’s take a look at the controls. Looking at the pedal you see Volume, Drive, Bass, Mids, and Treble. The Volume control acts as a master volume would on your amplifier. Turn this control up and you are louder, turn it down and you are quieter. The Drive knob controls the amount of dirt or overdrive in the path. All the way up is the most available dirt, all the way down is the cleanest setting.

With the gain below 50%, it is a low gain grit overdrive that even Hendrix would be proud to turn on. When you get into the upper half of the gain control, you will find a new world of natural, crunchy bite that stands alone in our line of overdrives. Max it out and you will be in high gain overdrive heaven. New to the V4 are the Bass, Mids, and Treble controls. To faithfully replicate a vintage Marshall, we felt it was time to incorporate a full Marshall style tone stack.  All three of these controls act as a cut and boost, while at noon they are relatively flat. The right 1/4″ jack is the input, and the left is the output. If you are looking for classic rock overdrive that feels, sounds, tastes, and smells like the real thing… Look no further.

This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2″x4.3″x1.5″.

Additional information

Weight 0.5 kg

Stuff About Guitar Pedals

Guitar pedals are compact effects units that shape and enhance a guitar’s sound, sitting between the instrument and the amplifier. They include gain pedals like overdrive and distortion, modulation effects such as chorus and tremolo, time-based effects like delay and reverb, and essential utilities including tuners, compressors and loopers. Understanding basic things such as pedal type, signal order, power requirements and intended use helps players choose pedals that suit their style, setup and playing environment.

The Important stuff

Brown. Overdrive — Overdrive pedals add warmth, grit, and natural compression to your tone, capturing the feel of a pushed tube amp. They respond dynamically to your playing, offering everything from a light bluesy crunch to full, saturated rock tones. Perfect for boosting solos or shaping your core sound, an overdrive pedal brings character and life to any setup. Whether you prefer vintage smoothness or modern bite, these pedals are essential for players who want expressive, touch-sensitive drive with plenty of personality.. Pedals — Pedals are compact effects units placed between a guitar and an amplifier to shape, enhance, or transform your sound. They cover everything from drive and distortion to modulation, delay, reverb, and dynamics, allowing players to build a personalised tone and respond creatively to different musical styles and playing situations.. V4.

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