KMA Audio Machines Logan Overdrive Pedal

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£169.00

This is the KMA Audio Machines Logan Overdrive Pedal from KMA, listed in Guitar Pedals on guitars pedals amps and stuff.. Read More below.

Description

Here's what KMA Audio Machines says about the Logan:

Logan is made to transcend the well-known boundaries of overdrive. It doesn't matter if you are looking for a pre-amp, a low/mid-gain drive or a screaming resonant cocked-wah sound, Logan will deliver all the gainy goods. Combined with our active 3-Band EQ, including a fully parametric Mid-EQ with a separate On/Off-Footswitch, Pre or Post Gain position-switch and an expression-in for hands-free filter sweeps, Logan is sure to deliver great tones and outstanding flexibility.

Logan’s gain structure is carefully balanced for an open and super touch-responsive drive tone, giving you and your instrument ample room to be expressive. You could describe its sound as smooth and harmonically rich, but that would be selling it short. There’s a true fire raging under the embers here, one that allows you add more hair, grit and sizzling depth as you pile on the gain, making Logan fit for anything from clean boost, amp-like breakup, indie clang to full-on rock machine.

It also sports an impressively high-headroom-design (up to 25 dB), enabling you to use Logan as a very versatile pre-amp too – all of you amp-less/cab-sim players can thank us later.

Three-Band EQ

But what truly pushes Logan over the edge is its 3-band active EQ. The Bass and Treble EQ knobs are able to both boost or cut your signal by around 15 dB. This enables you to beef up thin-sounding single coils, add some chime to chunky humbuckers or get rid of boomy bass frequencies, when changing from a sweet 2×12 to a fat 4×12 cabinet. In addition, the tonal flexibility is even further extended by Logan’s fully parametric Mid-EQ section, where the MID control lets you set your preferred mid frequency between 100 Hz to 2.5 kHz, while the CUT/BOOST control lets you cut or boost the selected frequency by up to 12 dB.

Mids EQ

But the frequency fest doesn’t stop there. Logan even sports a dedicated footswitch to activate or deactivate the Mid-EQ and a position-switch which lets you place it either before the main gain-stage (PRE) or after it (POST), opening up a whole world of tonal possibilities. Place the Mid-EQ post-gain to give yourself a level boost for solos or place it pre-gain to saturate your preferred frequency even more, effectively giving you a second gain-stage.

Expression Pedal Compatible

Then there’s the kicker! You can take complete hands-free control of the Mid-EQ Frequency via a regular expression-pedal. This lets you make instant tone changes on the fly, as well as unleash everything from fast and quacky wah-like sounds to slow and enveloping phasery filter sweeps.

Specifications

  • Power: 9V DC PSU (negative center, 2.1mm)
  • Current Draw: 30mA (approx)

About the manufacturer

KMA

More info about this Product

Guitar Pedals

Guitar pedals are compact effects units that shape and enhance a guitar’s sound, sitting between the instrument and the amplifier. They include gain pedals like overdrive and distortion, modulation effects such as chorus and tremolo, time-based effects like delay and reverb, and essential utilities including tuners, compressors and loopers. Understanding basic things such as pedal type, signal order, power requirements and intended use helps players choose pedals that suit their style, setup and playing environment.

Overdrive Pedals

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Guitar Pedal

Overdrive

Overdrive pedals add warmth, grit, and natural compression to your tone, capturing the feel of a pushed tube amp. They respond dynamically to your playing, offering everything from a light bluesy crunch to full, saturated rock tones. Perfect for boosting solos or shaping your core sound, an overdrive pedal brings character and life to any setup. Whether you prefer vintage smoothness or modern bite, these pedals are essential for players who want expressive, touch-sensitive drive with plenty of personality.

Wah

Wah pedals are all about expression. By rocking the foot pedal back and forth, you sweep through frequencies to create that classic vocal-like “wah-wah” sound. From funk to rock solos, the wah adds movement, personality, and attitude to your tone. Think Hendrix, Clapton, or Slash — each used a wah to make their guitar sing. Whether you prefer a classic Cry Baby or a modern auto-wah, this effect remains one of the most recognisable sounds in guitar history.