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  • Behringer BM-14M Analog Delay Pedal
Behringer BM-14M Analog Delay Pedal - Image 1


Behringer BM-14M Analog Delay Pedal

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£109.99

This is the Behringer BM-14M Analog Delay Pedal from Behringer, listed in Guitar Pedals on guitars pedals amps and stuff.. Read More below.

Description

Based on one of the most unique and creative Delay pedals of the early 2000s, the Behringer BM-14 is the ultimate tool for shaping your ultimate delay from subtle echo right through to ambient delay from another dimension. Its classic analogue sound in combination with its unique delay LFO control easily makes this one of the most versatile delays ever created. With 6 LFO shapes on tap, the modulated delay sounds can easily go from everything from chorus to vibrato and even pitch shifting. With its thought-out I/O, tap-tempo, switchable normal and spillover bypass, drive and output control and timeless aesthetic, the Behringer BM-14 is perfect for guitars, synths and everything in-between and is built ready for the road.

Key Features

  • Analogue Circuitry – The Behringer BM-14 Analogue Delay is as close to an authentic recreation as possible, featuring analogue circuitry for a truly vintage voiced sound design workstation, built for the modern world.
  • Classic Aesthetics – Constructed in a tried and tested roadworthy solid metal enclosure and beautifully finished with wooden side panels, the BM-14 is built to withstand life on the road.
  • Modular Style I/O – This delay’s versatile I/O allows you to push your creativity to the limits by controlling each of its parameters via an external expression pedal. Furthermore, the BM-14 can be combined with other CV pedals and devices or used with MIDI for nearly endless amounts of Delay possibilities. Its Mix and Delay outputs make any rig possible from straight in to complex wet/dry setups.

Specifications

Audio in

Audio Connections

  • Connector: 1 x 1/4″ TS, unbalanced
  • Impedance: 1 MΩ

Mix out

  • Connector: 1 x 1/4″ TS, unbalanced
  • Output impedance: 600 Ω

Delay out

  • Connector: 1 x 1/4″ TS, unbalanced
  • Output impedance: 600 Ω

FB insert (send/return)

  • Connector: 1 x 1/4″ TRS, unbalanced
  • Impedance: 440 Ω
  • Input impedance: 140 kΩ

Control Connections

Feedback

  • Connector: 1 x 1/4″ TRS
  • Impedance: 180 kΩ, unbalanced
  • CV input range: 0 V to +5 V

Time

  • Connector: 1 x 1/4″ TRS
  • Impedance: 34 kΩ, unbalanced
  • CV input range: 0 V to +5 V

LFO rate

  • Connector: 1 x 1/4″ TRS
  • Impedance: 34 kΩ, unbalanced
  • CV input range: 0 V to +5 V

LFO amt

  • Connector: 1 x 1/4″ TRS
  • Impedance: 34 kΩ, unbalanced
  • CV input range: 0 V to +5 V

Mix

  • Connector: 1 x 1/4″ TRS
  • Impedance: 180 kΩ, unbalanced
  • CV input range: 0 V to +5 V
  • MIDI in: 2 x 5-pin DIN, 16 channels

Controls

  • Drive: 1 x rotary knob
  • Output level: 1 x rotary knob
  • Mix: 1 x rotary knob
  • LFO: 1 x rotary knob
  • Rate: 1 x rotary knob
  • Amount: 1 x rotary knob
  • Delay time: 1 x rotary knob
  • Short/long: 1 x rocker switch
  • Feedback: 1 x rotary knob
  • Tap tempo: 1 x footswitch
  • Bypass: 1 x footswitch

System

  • Frequency response: 20 Hz to 20 kHz (+0 / -2 dB)
  • Dynamic range: > 83 dB
  • Signal-to-noise ratio: > 73 dB
  • Overall gain: +33 Db

Power Supply / Voltage

  • Power input: Standard 9 V DC, centre negative, > 400 mA (power supply not included)
  • Power consumption: 1.8 W

Dimensions / Weight

  • Dimensions (H x W x D): 85.9 x 147.6 x 196.9 mm (3.38 x 5.81 x 7.75″)
  • Weight: 1,100 g (38.8 oz)

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About the manufacturer

Behringer

Behringer are known for making standout effects pedals and more. Founded with a passion for tone and innovation, their gear has shaped countless records and players’ sounds. Look out for their iconic designs and flagship models — they’ve earned a reputation for reliability and creativity.

More info about this Product

Chorus Pedals

Guitar Pedals

Guitar pedals are compact effects units that shape and enhance a guitar’s sound, sitting between the instrument and the amplifier. They include gain pedals like overdrive and distortion, modulation effects such as chorus and tremolo, time-based effects like delay and reverb, and essential utilities including tuners, compressors and loopers. Understanding basic things such as pedal type, signal order, power requirements and intended use helps players choose pedals that suit their style, setup and playing environment.

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Chorus

Chorus is a modulation effect that thickens and widens a sound by duplicating the signal, slightly detuning it, and modulating its pitch over time. This creates the impression of multiple instruments playing together, resulting in a rich, shimmering, and spacious tone.

It is commonly used on guitar, bass, and keyboards to add movement and depth, working especially well with clean or lightly driven sounds. Chorus became strongly associated with 1980s music but remains widely used across pop, rock, ambient, and modern styles for its ability to make a sound feel fuller and more animated.

Delay

Delay is an effect that records the guitar signal and plays it back after a short period of time, creating an echo or repeat. By adjusting the time, feedback, and level, delay can add subtle depth and space or produce rhythmic, expressive repeats that enhance lead lines, ambient textures, and overall atmosphere.

Guitar Pedal

Vibrato

Vibrato is an effect that creates a subtle or pronounced pitch variation by modulating the signal up and down over time. Unlike chorus or tremolo, vibrato affects pitch only, producing a wavering or shimmering sound without changing volume.

It is used to add movement, expression, and a sense of warmth to a sound, working especially well on sustained notes and chords. Vibrato can range from gentle and musical to bold and psychedelic, and is commonly found in vintage amplifiers, modulation pedals, and classic studio effects.

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